Dear Readers,
"Today I am Gonna Introduce With India's Most Cultured Place,
Where Peace, Culture Love and Beauty Lives together".
Let's Take A Read Over there.
Uttarakhand became
the 27th state of the Republic of India on 9th November 2000. The State came
out of Uttar Pradesh. Demand for Uttarakhand was first made in 1930 at the
Karachi session of INC. It occupies 17.3% of India's total land area with
51,125 sq km.
Uttarakhand is a place with great diversity of the region where snow-clad mountains, green hills, fertile valleys, flowing rivers and thriving lakes add to the natural beauty.
Uttarakhand is also known as the Abode of the gods, there are several highly venerated pilgrimage places. The tourists must visit Kedarnath, Badrinath, Hemkund Sahib, Gangotri, Yamunotri, Jageshwar, Bageshwar, Rishikesh and Haridwar for their religious importance on Uttarakhand Travel. Each hilltop or bent is known to have a temple, big or small, which are considered very sacred by the locals.
Its a region with several natural lakes, which are the center of attraction of the town and good for sporting activities. The popular hill stations of Uttarakhand are Almora, Bhimtal, Munsiyari, Mussorie, Nainital, Pithoragarh, Ranikhet, Chopta, Valley of Flowers, Joshimath and Lansdowne. For unlimited serenity and tranquility in pleasant pollution free environs, hill station on Uttarakhand Travel are ideal for vacations.
Uttarakhand is also ideal for several adventure sports activities because of its geographical attributes. The tourist here takes the maximum pleasure out of adventure sports like trekking, ice-skiing, white water rafting, sailing, boating, kayaking, canoeing, yachting, water-skiing and parasailing. To climb the big mountain stretch or to pass the dense jungles of the hills is in itself very exciting. The huge water-filled rivers and deep lakes are perfect for water sports.
People who come here also prefer to visit the abundant wildlife sanctuaries and national parks in the state. Also dont miss the chance tovisit the Valley of Flower National Park, Kedarnath Wildlife Sanctuaries, Nanda Devi National Park, Govind National Park, Assan Barrage National Park, Rajaji National Park and CorbettNational Park.
Capital
|
Dehradun
(Interim)
|
High
Court
|
Nainital
|
Longitude
|
77°
34' 27" E to 81° 02' 22" E
|
Latitude
|
28°
53' 24" N to 31° 27' 50" N
|
Total
Area
|
53,484
sq. km.
|
Total
Forest Area
|
34,434
sq. km.
|
Hilly
Area
|
92.57%
|
Plains
|
7.43%
|
v Districts :
Uttarakhand has 13 districts Almora, Bageshwar, Chamoli, Champawat, Dehradun,
Haridwar, Nainital, Pauri, Pithoragarh, Rudraprayag, Tehri, Udham Singh
Nagarand Uttarkashi
v Languages
Spoken : Langauges
spoken here are Garhwali, Kumaoni, Jaunsari and Hindi.
v Pilgrimage
Sites :
Badrinath, Kedarnath, Gangotri, Yamunotri, Panchkedar, Panchbadri, Panchprayag,
Haridwar, Rishikesh, Hemkund Sahib, Purnagiri, Chittai, Kaliyar Sharif,
Nanakmatta Sahib, Rettha Sahib etc.
v Tourist
And Historical Places :
Nainital, Mussoorie, Pauri, Almora, Ranikhet, Khirsu, Champawat, Dayara, Auli,
Khatling, Bedni Bugyal, Valley Of Flowers, Lansdown, Lakhamandal, Paataal
Bhuvaneshwar, Gangolihaat, Jolljivi, Kataarmal, Kosani, Jageshwar, Dwarahaat,
Someshwar, Baijnath, Pindari Glacier etc.
Folk
Songs of Uttarakhand had its root in the lap of nature. It has seen various
phases of growth and has undergone lots of transformation during the course of
time. It speaks about various festivals, religious traditions, folk stories
and simple life of the people of Uttarakhand. Bajuband, Basanti, Chhopati,
Chhura, Chounphula and Jhumeila, Jagars, Khuded, Mangal, Puja Folk Songs are
some of the folk songs sung in Uttarakhand.
Some
of these artists are Sh.Mohan Upreti, Sh.Gopal Babu Goswami, Sh.Narendra SinghNegi ji ,Gajendra Rana, Meena Rana, Sangeeta Dhoundiyal, Manglesh Dangwal, AnilBisht, Virendra Rajput, Dinesh Uniyal, Pritam Bhartwan and others.
Bajuband
This
is a folk song of love and sacrifice between the shepherds. It is a love
dialogue between the man and woman or between a boy and girl which is sung in
the form of a folk song
Basanti
'Basanti'
folk songs are composed for the coming spring season when flowers, bloom and
new life spring in the valleys of the hills of Garhwal. The folk song is sung
individually or in groups.
Chhura
'Chhura'
folk songs are sung among shepherds in the form of advice given by the old to
youngsters, having learnt it out of their experience, particularly in grazing
sheep and goats.
Chhopati
These
are the folk songs popular in Rawain-Jaunpur area of Tehri Garhwal. 'Chhopati'
are the love songs sung between the men and women in the form of questions and
answers.
Chounphula and
Jhumeila
'Chounphula'
& Jhumeila' form part of seasonal dances which are performed from 'Basant
Panchami' to 'Sankranti' or 'Baisakhi'. 'Jhumeila' is sometimes mixed
but is usually restricted to women. 'Chounphula' is a spinning dance performed
by all sections of the community, at night, in groups by men and women.
'Chounphula' folk songs are composed for the appreciation of nature during
various occasions. Chounphula, Jhumeila and Daryola folk songs all derive their
names from the concerned folk dances.
Jagars -
Folk Dances of Kumaon
and Garhwal
Jaggar
falls in the category of ghost and spiritual worship, in the form of a folk
song or at times combined with dances. Sometimes, Jaggar may also be in the
form of Puja folk songs and are sung inn honour of the various gods
and goddesses.
There
are more than 50 ballads on indigenous spirits, gods and goddesses, fairies and
ghosts, the most famous Ganganath, Gorilla, and Bholanath.
The chief priest, Gantava, fixes the time on whicl 1s a jagar is
to be formed. Around the burning fire, in a circle, are members of the village
or family-suddently, like a magician the Das, or singer, slowly, and with
measured drum beats, starts to invoke the spirit. Coupled with his singing,
punctuated by the exotic drum-beats, and the shrill sound of the thali', the
crescendo, builds up and drives the listeners into a trance. In a fit of ectasy
they leap, shout, tremble and j'ump, sometimes tearing off their clothes. As
they move around the fire, the Das starts to address them by the name of the
spirit or spirits involved and asks the spirits, the questions that are sought
by some families and the remedies. Usually the spirit demands a sacrifice of a
goat or a bird. The spirit is sent back to its Himalayan abode and the spell
breaks-the dance and the ceremony is ove. While in a state of trance the
dancers lick red-hot pokers, or shove their hands into the blazing fire without
being harmed.
The
instruments used are a big Drum (Dhol), a smaller Drum (Damua), Hurka and Thall.
Khuded
These
folk songs depict the suffering of a woman due to the separation from her
husband. The woman curses the circumstances in which she is separated generally
when the husband is away looking for a job. 'Laman' another folk song is
sung on special occasions expressing the sacrifice that he is willing to do for
his beloved. 'Pawada'
also belongs to this category of folk songs where separation is felt when the
husband has gone to the battlefield.
Mangal
'Mangal'
songs are sung during marriage ceremonies.
These songs are basically 'Puja songs' sung alongwith the Purohits who keep
enchanting 'Shlokas' in Sanskrit according to the Shastras during the marriage
ceremony.
Puja Folk Songs
These
songs are connected with the Puja (worship) of family deities. There are other
Puja songs connected with 'Tantra' and 'Mantras ' to exorcise evil spirits from
human beings.
Folk
Dances of Uttarakhand
The
Culture of Uttarakhand has its roots in past. Among the diverse cultures and
traditions of India it is one of the unique culture which can be seen
prominently in its various forms of art. Uttarakhand folk dance is not as complex as
the classical dance forms but is something which is beautiful to witness. Its a
reflection of the deep sited beliefs and traditions of the local people which
is performed to express joy & celebrate the arrival of new season.
Barada
Nati,
Bhotiya
Dance, Chancheri, Chhapeli, Choliya Dance, Jagars, Jhora,
Langvir Dance, Langvir Nritya, Pandav Nritya, Ramola, Shotiya Tribal Folk
Dances, Thali-Jadda and Jhainta are some of the folk dances performed
in various occasions in Uttarakhand.
Barada
Nati
The
Barada Nati folk dance is a popular dance of the Jaunsar Bhawar area of
Chakrata Tehsil in Dehradun district. The folk dance is performed on the eve of
some religious festivals or on the occasion of some social functions. Both boys
and girls take part in the dance dressed in colourful traditional costumes.
Bhotiya Dance
The Bhotiya Dance is performed by the Bhotias tribe and is connected with death ceremonies. It is believed by the tribal people that the soul of the dead person resides in the body of a goat or sheep and by dancing this way the soul can be liberated for their next birth.
The Bhotiya Dance is performed by the Bhotias tribe and is connected with death ceremonies. It is believed by the tribal people that the soul of the dead person resides in the body of a goat or sheep and by dancing this way the soul can be liberated for their next birth.
Chancheri
This
is a group dance of Danpur Patti region of Bageshwar District in Kumaon. Both
men and women dance in a semi-circular formation with gradually increasing pace
putting across unbridled joy.
Chhapeli
Chhapeli
dance is performed by couples with the female carrying a mirror in her left
hand and a colored handkerchief in the other. The male plays a Hudukka on
his left shoulder accompanied by others playing the Hurka, Manjira and Flute.
The dance is a duet that outlines the joys of romance. The woman partner
(sometimes also a young boy) dances with a smile and elegant waist movements,
either in admiration of her beauty and charm or mocking her ways of expressing
love.
Choliya
Dance - Folk Dances of Kumaon
Dating
back to over a thousand years, the Chholiya Dance has its origins in the
warring Khasiya Kingdom of Khasdesh, when marriages were performed at the point
of the swords. They were united by the Chand kings who arrived' on the scene in
the 10th century. In Nepal, the word Khasa is still asynonym for Kashatrya, and
in Khasdesh, too, they took on the customs of the Rajputs, who were themselves
honorary Kashatryas.
Keeping
the old tradition alive, the Rajputs dance this at their weddings as a part of
the marriage procession itself, led by the male dancers who go on dancing till
they reach the bride's house. Performed by the Rajputs with sword and shield in
pairs, the drummers are usually Harijans called Dholies, while the Turi and
Ransing are played by Bairagis, Jogis or Gosains. The Turi and Ransing are
typical Kumaon
instruments. Perfectly synchronized, and marked with jumps and turns
of the body, the dancers show several sword-fighting feats. Attired in the
material costumes of ancient warriors, the flashing swords and shields, along
with the war-like music, huge red flag with various animal symbols stuck on it
conveys fear, joy, awe and wonder, through eyes, eyebrows and shoulders,
creating at the same time, the impression of group advancing for an attack.
Jagars - Folk Dances of Kumaon and Garhwal
Jaggar falls in the category of ghost and spiritual worship, in the form of a folk song or at times combined with dances. Sometimes, Jaggar may also be in the form of Puja folk songs and are sung in .honour of the various gods and goddesses.
Jaggar falls in the category of ghost and spiritual worship, in the form of a folk song or at times combined with dances. Sometimes, Jaggar may also be in the form of Puja folk songs and are sung in .honour of the various gods and goddesses.
Jhora
- Folk Dances of Kumaon
A
community dance, when all barriers of castes are thrown to the winds, except in
the village, where the high and lower castes have separate Jhoras, it is danced
at fairs to the accompaniment, of singing that grows with the dance.
Performed
either in the morning or evening, they are danced at the coming of spring,
mostly at fairs, but also to celebrate weddings. From the minimum, number, six,
it swells to 200 at times, men and women both joining in. Together they move in
a circle, holding each other's arms and slight1y bending their bodies forward
as they move. On the first beat of the Hurka, the left leg crosses the right,
striking the floor with the left foot. On the second beat, the right foot is
thrown sideways with a slight jump and little dip and the performers return to
their original standing pose, with the bodies swaying slightly to the back. The
third and fourth steps are given to the left and right foot respectively. Each
step is taken with a slight jump and the accompanying neck and shoulder
movements. This completes one cycle. If the circle is big the Hurka players,
accompanied by the cymbals and, flute dance inside the circle, singing and
playing simultaneously, rending the air joyous with exhilaration. The men and
women dancers, themselves provide the singing following the lead of the Hurka
player-the women follow the men-the tempo remains the same neither very fast
nor very slow.
Langvir
Dance
This
is an energetic dance performed more often than not by men. In Langvir, the
dancer climbs a bamboo pole and balances himself at his navel on the top of the
pole. Music is given by Dhol and he balances, swivels and almost dances on his
belly at the pole, performing other acrobatic stunts.
Pandav
Nritya
The
Pandav Nritya, which is related to the story of the Mahabharata, has been very
popular, particularly in the Garhwal region. Pandavas Nritya is nothing but a
simple narration of the story of the Mahabharata in the form of dance and
music. It is mostly enacted on the occasion of 'Dussehra' and Diwali. Pandavas
Nritya is popular in Chamoli district and Pauri Garhwal.
Ramola
- Folk Dances of Kumaon
The
coming of Spring is a matter of joy to everyone, in Kumaon it is announced by.
bards who, roaming from place to place, sing of its charms on a sarangi or
dholak : "Oh my bee, oh my beloved, Spring has surreptitiously crept in.
Quickly take to the valley of flowers where we will play 'Phag together."
At
the Holi festival, forgetting their worries, the people join in festivity
lasting more than a month and hundreds of songs of classical, semi classical,
and folk variety are sung by both men and women to the accompaniment of the
Harmonium, Tabla, Dholak and Manzira (cymbals).
Shotiya
Tribal Folk Dances -
Folk Lore of Garhwal
Bhotiya
tribals have their typical dances like 'Dhurang, and Dhuring' which are
connected with death ceremonies. The aim at liberating the soul of the dead
person which they believed to have been living in the body of either a goat or
another animal. The dance is similar to the pastorals of Himachal Pradesh or
the hunting dance of Nagaland.
Thali,
Jadda and Jhainta -
Folk Dances of Kumaon
While
the Thali is a graceful dance of the women, the Jadda and Jhainta are dances in
which men and women whirl together with gay abandon. The whole region a
kaleidoscope of folk dancing. the Kumaonis, with their powers of endurance, can
go on dancing even after a hard day work. A very part of their life, dance and
music surge upto fulfil their emotional and social needs, dancing keeping them
ever fresh and alive. The Kumaonis prove the old adage. "The tribe which
dances does not die."
Dishes
from Uttarakhand
Uttarakhand
is famous not only for its tourist places and pilgrims but also for its values
and culture. The culture and tradition of the state can be seen in its songs,
dance and also in its delicious dishes.
These
dishes and recipes along with richness in its taste are highly nutritious. The
recipes to these dishes are simple too to prepare.
Some
of these Pahari dishes are as follows :
